King of Thorns

King of Thorns

  • Hardcover
  • ISBN 9781937007478
  • 464 Pages
  • Ace
  • 18 and up


In Book One of the Broken Empire, Mark Lawrence brought to life the “morbidly gripping”* (Publishers Weekly) story of a boy in search of power and vengeance. Now, in King of Thorns, that boy’s journey into manhood takes him to the dark depths waiting within his soul…

The boy who would be King has gained the throne…

Prince Honorious Jorg Ancrath vowed when he was nine to avenge his slaughtered mother and brother—and punish his father for not doing so. When he was fifteen, he began to fulfill that vow. Now he is eighteen—and he must hold on by strength of arms to what he took by torture and treachery.

King Jorg is a man haunted: by the ghost of a young boy, by a mysterious copper box, by his desire for the woman who rides with his enemy. Plagued by nightmares of the atrocities he committed, and of the atrocities committed against him when he was a child, he is filled with rage. And even as his need for revenge continues to consume him, twenty thousand men march toward the gates of his castle. His enemy is far stronger than him. Jorg knows that he cannot win a fair fight.

But he has found, in a chamber hidden beneath the castle, ancient and long-lost artifacts. Some might call them magic. Jorg is not certain—all he knows is that the secrets they hold can be put to terrible use in the coming battle…


"Definitely a series that will hit with a bang."
Falcata Times

"Mark Lawrence’s wonderful prose is vivid without being flowery, succinct without being plain. He pulls you in and doesn’t let go."
New York Times bestselling author Peter V. Brett


The Broken Empire
Mark Lawrence
Mark Lawrence
Mark Lawrence



Writing book 2 is some scary …stuff! It would have been much worse if I were writing it now after seeing the reception that Prince of Thorns received. Firstly I would feel all those fans of book 1 at my shoulder, wanting book 2 to blow their minds. Secondly I would have had a vociferous minority of critical voices nagging at me, scratching away at the back of my thoughts, and quite possibly cramping my style. Most likely by me going out of my way to irk them further! It is much easier to write well when you’ve nothing to lose. If you make a three–point basket while fooling around (and no, I never have) everyone turns round and says ’do it again!’ at which point, under such scrutiny, most normal humans would be lucky to get a shot within a yard of their target. If you write a book that a bunch of people love — it’s the same thing — the pressure is on and your writing muscles tighten up. People are watching, expecting, and all of a sudden you’ve got something to lose. You can lose their interest. It’s nice to have people reading you, saying good things . . . you have to be pretty laid back not to care if that goes away. Fortunately I wrote King of Thorns before Prince of Thorns hit the shelves. I wrote it in six months and carried on to write book three in another six. Even so, the pressure was on. It’s in my nature to feel a duty to those people I’ve made a commitment to or who have placed trust in me. My publishers had staked some small part of their reputations on me. They had read me, praised me, paid me, and bet on me. With that praise ringing in my ears, and their dollars backing it up, I sat there looking at my first blank page and thinking that for the first time in my life it mattered what I wrote. If I wrote nothing, or wrote poorly, I would be letting people down. It changes the game. My solution was to pretend none of it was happening — to push it all from my mind and write as if it were just me same as always. To a large part I succeeded in the illusion. I was helped by the fact that my deadline was nearly two years off and so if I screwed up I would have time to tear it up and start again. So I wrote as normal, letting the words take me wherever it was they wanted to and not sweating it. I had great fun and the story flowed out. One thing I noticed immediately is that my book 2 (and likely book 2’s in general) are very different beasts. Your main characters are well defined. Your world is laid out. The flavour and tone of your story are scored deep. On the negative side, many of your opportunities for surprise and novelty have gone. On the positive side, you already have living breathing characters to whom your reader is attached, your explanation–to–story ratio has tipped decidedly in favour of story. I made two firm decisions when I agreed to a three–book deal. Firstly it would be a trilogy, not a series. There’s a power in knowing when to stop. I’ve seen too many great characters/worlds/ideas carry on past their prime and sully glorious opening books with a long and drawn out death rattle where characters become caricatures and the story ends not with a bang but a whimper as it’s abandoned by disenchanted readers. Secondly I would not simply turn the handle and roll out book 1 again with the furniture swapped around. Book 2 would be an evolution. And so, here we are with the release of King of Thorns hard upon us and me wondering what the hell its reception will be like. King of Thorns is a more complex, more epic, and in some ways more sophisticated book than Prince of Thorns — will the readers delivered to its doorstep by book 1 be ready for all that? Reviewers so far have been extremely positive. Let’s see what the wide world makes of it! The following short passage is extracted from deep within King of Thorns and I hope gives something of the book’s flavour. Extract from King of Thorns. Copyright Mark Lawrence, 2012. Reproduced with permission of the author and Ace Books. –––––––––––––––– I took myself to the courtyard where my levies, subjects, and bannermen waited, crowded rank upon rank before the gatehouse. Knights from Morrow to the left of the portcullis, armour gleaming, swords in hand. To the right more knights, plate– armoured, the noblest sons of Hodd Town, my capital down in the valleys to the north. No doubt they had come to win the king’s favour and honour for their houses. Young men in the main, soft with gold and more used to lance and tourney than blood and ruin. I saw Sir Elmar of Golden among them, his armour radiant as his name implied. A warrior, that one, despite his finery. They had some strength among them. Crowded on the gallery and stairs, crossbow men from the Westfast under Lord Scoolar, hard–eyed and wind–burned. Packed before the splintering gate, men of the Hauntside, tough fighters from the hills, in leather and iron, axes honed, round wooden shields layered in goat– hide. Behind these, warriors from Far Range, their iron helms patterned with silver and tin, each man armed with hammer and hatchet. And to the rear, ranked before the keep wall, Cennat shield dancers, their warboards taller than a man. I walked among them, Makin at my shoulder, amid the stink and heave of bodies, the tension a taste in the air at once both sour and sweet. I hadn’t words for them, no kingly gestures, no speech to shout above the screams from beyond the wall and the crash of the ram. When you fight alongside Brothers you bind them with word and deed. When you fight among subjects you are a figure, a form, an idea. Men will die for many things, lives hoarded with care can be spent for the strangest of reasons. What bound us here, we men of the Highlands, was defiance. All men will dig their heels in if pushed enough. All men will reach the point that they say “no” for no reason other than opposition, for no reason other than the word fits their mouth, and tastes as good as it sounds. And in the Highlands, among our mountains, the heights breed men who will give no single inch without defiance. I walked between the men of the Highlands, the old and young, some bearded, others clean– cheeked, some pale, some red, the trembling and the steady, and came to stand before the portcullis, iron–bound timbers splintered, the rush of the ram beyond, the savage cries of the hundred wrestling it toward me. My fingers found my knife hilt and I pulled it clear. Laid against my unburned cheek the metal felt like ice. The portcullis shuddered and groaned before the ram. Men of Arrow screamed and died as missiles rained upon them. The knife blade cut skin soft as a kiss. I took the blood on scarlet fingers and wiped it over the gate timbers. I turned my back on the gate, crouched before my men, and smeared a line of blood across the flagstones. As I returned to the keep I set my hand to a score of warriors, the eager ones, the ones in who I saw an echo of the same hunger that made me want that gate open every bit as much as those men on the ram. “King’s blood!” Sir Elmar of Golden raised his axe, the crimson smear of my fingers left across his shining helm. “King’s blood!” A hairy Hauntside warrior pressed the heel of his hand to the red imprint I set across his brow. “King’s blood!” A Cennat dancer twirled the huge shield where my handprint sat scarlet across the white moon of his house. “King’s blood!” The roar pulsed back and forth, following us within the keep. A king is a sigil, not a man but an idea. I thought they had the idea now.