Pleasure

Pleasure


Foreword by: Lara Gochin Raffaelli
Introduction by:
Translator: Lara Gochin Raffaelli
Noted by: Lara Gochin Raffaelli

Format
Paperback
Price
$17.00
 
Additional Formats
  • Paperback
  • ISBN 9780143106746
  • 384 Pages
  • Penguin Classics
  • 18 and up

Overview

The great Italian masterpiece of sensuality and seduction, published in a new English translation – the first since the Victorian era – that puts the sex back in Pleasure. Like Oscar Wilde’s Dorian Gray, Andrea Sperelli lives his life as a work of art, seeking beauty and flouting the rules of morality and social interaction along the way. In his aristocratic circles in Rome, he is a serial seducer. But there are two women who command his special regard: the beautiful young widow Elena, and the pure, virgin-like Maria. In Andrea’s pursuit of the exalted heights of extreme pleasure, he plays them against each other, spinning a sadistic web of lust and deceit. Gabriele D’Annunzio was born in Italy in 1863. He published poetry and short stories from a young age, quickly gaining a reputation for his frank treatment of erotic subjects. He married in 1883 and had three children, but separated from his wife and began an infamous affair with the actress Elonora Duse. After stints as a journalist and politician, he enlisted as a fighter pilot in World War I, subsequently losing an eye in a flying accident. He became increasingly nationalistic and politically active after the war, and his views had a strong influence on Mussolini. In 1922 he survived a murder attempt, when an unknown assailant defenestrated him. He died in 1938. Lara Gochin Raffaelli is a senior lecturer at the University of Cape Town in South Africa. Alexander Stille is a frequent contributor on Italy to The New York Review of Books, The New York Times, and The New Yorker and the author of several books, including The Sack of Rome. He lives in New York.

Praise

A fascinating psychological novel about the mind of a seducer . . . Lara Gochin Raffaelli has performed a real service by restoring Pleasure to an English-speaking public, or rather giving it to us, in effect, for the first time. . . . In the wake of Pleasure’s spectacular and scandalous success, [Andrea] Sperelli became for an entire generation a type that many chose to imitate—as Goethe’s Werther was for readers of the Romantic era, or Jay Gatsby for the Jazz Age.” —Alexander Stille, from the Introduction

“[A] superb new translation . . . The writing sparkles. . . . Raffaelli preserves the florid musicality of D’Annunzio’s original Italian, its muscular rhythm, and the precious constructions that can make Italian seem like a foreign language in his hands. She also provides a wealth of helpful notes, crucial for entering into D’Annunzio’s museum-like imagination. . . . So much contemporary writing gives us sex without sensuality; D’Annunzio revels in a finer erotic touch. . . . The real events in D’Annunzio’s life were too noisy to ignore, but they shouldn’t drown out the voice of his writing. . . . A close reading reveals an astonishing streak of literary innovation.” —The Times Literary Supplement

“Shockingly explicit . . . a kind of portrait of the artist as an irresistible, corrupt young aesthete . . . [It] has now been lushly translated in an uncensored version.” —Jonathan Galassi, The New Republic

Pleasure is truly a pleasure, and its potency is its own. D’Annunzio’s . . . methods and vision are strikingly original, and this novel confidently announces itself not just as a mere echo or harbinger, but as a fully fledged advent of its own. . . . With this new translation, the influence on the subsequent century’s literature is now shockingly apparent. Both Marcel Proust and James Joyce were great admirers of D’Annunzio’s work, and the influence especially on Proust’s In Search of Lost Time makes itself retrospectively evident on nearly every page. . . . Raffaelli’s new translation of Pleasure will perhaps singlehandedly resuscitate D’Annunzio as a world writer and place this glimmering first novel in its key spot among Europe’s great works of Decadent literature.” —Rain TaxiAlexander Stille
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