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Stephen King | The Dark Tower The Gunslinger | The Dark Tower I The Gunslinger
The Dark Tower I
Revised and Expanded throughout with a new Introduction and Foreward by the Author
Excerpts for Webcast Reading

1. Roland and Brown, Viking HC, p. 9-11

The gunslinger came down the hill slowly, leading the donkey on which his waterskins sloshed. He paused by the edge of the lifeless-looking cornpatch, drew a drink from one of his skins to start the saliva, and spat into the arid soil.

"Life for your crop."

"Life for your own," the dweller answered and stood up. His back propped audibly. He surveyed the gunslinger without fear. The little of his face visible between beard and hair seemed unmarked by the rot, and his eyes, while a bit wild, seemed sane.

"Long days and pleasant nights, stranger."

"And may you have twice the number."

"Unlikely," the dweller replied, and voiced a curt laugh. "I don't have nobbut corn and beans," he said. "Corn's free, but you'll have to kick something in for the beans. A man brings them out once in awhile. He don't stay long." The dweller laughed shortly. "Afraid of spirits. Afraid of the bird-man, too."

"I saw him. The bird-man, I mean. He fled me."

"Yar, he's lost his way. Claims to be looking for a place called Algul Sient¿, only sometimes he calls it Blue Haven or Heaven, I can't make out which. Has thee heard of it?"

The gunslinger shook his head.

"Well...he don't bite and he don't bide, so fuck him. Is thee alive or dead?"

"Alive," the gunslinger said. "You speak as the Manni do."

"I was with 'em awhile, but that was no life for me; too chummy, they are, and always looking for holes in the world."

This was true, the gunslinger reflected. The Manni-folk were great travelers.

The two of them looked at each other in silence for a moment, and then the dweller put out his hand. "Brown is my name."

The gunslinger shook and gave his own name. As he did so, a scrawny raven croaked from the low peak of the sod roof. The dweller gestured at it briefly: "That's Zoltan."

At the sound of its name the raven croaked again and flew across to Brown. It landed on the dweller's head and roosted, talons firmly twined in the wild thatch of hair.

"Screw you," Zoltan croaked brightly. "Screw you and the horse you rode in on."

The gunslinger nodded amiably.

"Beans, beans, the musical fruit," the raven recited, inspired. "The more you eat, the more you toot."

"You teach him that?"

"That's all he wants to learn, I guess," Brown said. "Tried to teach him The Lord's Prayer once." His eyes traveled out beyond the hut for a moment, toward the gritty, featureless hardpan. "Guess this ain't Lord's Prayer country. You're a gunslinger. That right?"

"Yes." He hunkered down and brought out his makings. Zoltan launched himself from Brown's head and landed, flittering, on the gunslinger's shoulder.

"Thought your kind were gone."

"Then you see different, don't you?"

"Did'ee come from In-World?"

"Long ago," the gunslinger agreed.

"Anything left there?"

To this the gunslinger made no reply, but his face suggested this was a topic better not pursued.

"After the other one, I guess."

"Yes." The inevitable question followed: "How long since he passed by?"

Brown shrugged. "I don't know. Time's funny out here. Distance and direction, too. More than two weeks. Less than two weeks. The bean man's been twice since he passed. I'd guess six weeks. That's probably wrong."

"The more you eat, the more you toot," Zoltan said.

"Did he lay by?" the gunslinger asked.

Brown nodded. "He stayed supper, same as you will, I guess. We passed the time."

The gunslinger stood up and the bird flew back to the roof, squawking. He felt an odd, trembling eagerness. "What did he talk about?"

Brown cocked an eyebrow at him. "Not much. Did it ever rain and when did I come here and had I buried my wife. He asked was she of the Manni-folk and I said yar, because it seemed like he already knew. I did most of the talking, which ain't usual." He paused, and the only sound was the stark wind. "He's a sorcerer, ain't he?"

"Among other things."

Brown nodded slowly. "I knew. He dropped a rabbit out of his sleeve, all gutted and ready for the pot. Are you?"

"A sorcerer?" He laughed. "I'm just a man."

"You'll never catch him."

"I'll catch him."

2. Roland Enters the Cellar, Viking HC, p. 94-96

The next morning he explored the cellar.

Jake was right; it smelled bad. It had a wet, swampy stench that made the gunslinger feel nauseous and a little lightheaded after the antiseptic odorlessness of the desert and the stable. The cellar smelled of cabbages and turnips and potatoes with long, sightless eyes gone to everlasting rot. The ladder, however, seemed quite sturdy, and he climbed down.

The floor was earthen, and his head almost touched the overhead beams. Down here spiders still lived, disturbingly big ones with mottled gray bodies. Many were muties, the true thread long-lost. Some had eyes on stalks, some had what might have been as many as sixteen legs.

The gunslinger peered around and waited for his nighteyes.

"You all right?" Jake called down nervously.

"Yes." He focused on the corner. "There are cans. Wait."

He went carefully to the corner, ducking his head. There was an old box with one side folded down. The cans were vegetables Ð green beans, yellow beans Ð and three cans of corned beef.

He scooped up an armload and went back to the ladder. He climbed halfway up and handed them to Jake, who knelt to receive them. He went back for more.

It was on the third trip that he heard the groaning in the foundations.

He turned, looked, and felt a kind of dreamy terror wash over him, a feeling both languid and repellant.

The foundation was composed of huge standstone blocks that had probably been evenly cornered when the way station was new, but which were now at every zigzag, drunken angle. It made the wall look as if it were inscribed with strange, meandering hieroglyphics. And from the joining of two of these abstruse cracks, a thin spill of sand was running, as if something on the other side was digging itself through with slobbering, agonized intensity.

The groaning rose and fell, becoming louder, until the whole cellar was full of the sound, an abstract noise of ripping pain and dreadful effort.

"Come up!" Jake screamed. "Oh Jesus, mister, come up!"

"Go away," the gunslinger said calmly. "Wait outside. If I don't come up by the time you count to two...no, three hundred, get the hell out."

"Come up!" Jake screamed again.

The gunslinger didn't answer. He pulled leather with his right hand.

There was a hole as big as a coin in the wall now. He could hear, through the curtain of his own terror, Jake's pattering feet as the boy ran. Then the spill of sand stopped. The groaning ceased, but there was a sound of steady, labored breathing.

"Who are you?" the gunslinger asked.

No answer.

And in the High Speech, his voice filling with the old thunder of command, Roland demanded: "Who are you, Demon? Speak, if you would speak. My time is short; my patience shorter."

"Go slow," a dragging, clotted voice said from within the wall. And the gunslinger felt like the dream-like terror deepen and grow almost solid. It was the voice of Alice, the woman he had stayed with in the town of Tull. But she was dead; he had seen her go down himself, a bullet hole between her eyes. Fathoms seemed to swim by his eyes, descending. "Go slow past the Drawers, gunslinger. Watch for the taheen. While you travel with the boy, the man in black travels with your soul in his pocket."

"What do you mean? Speak on!"

But the breathing was gone.

3. Roland Encounters the Man in Black for the first time, Viking HC, p. 151-152

"Gunslinger! How well you fulfill the prophecies of old! Good day and good day and good day!" He laughed and bowed, the sound echoing over the bellow of the falling water.

Without a thought the gunslinger had drawn his pistols. The boy cowered to his right and behind, a small shadow.

Roland fired three times before he could gain control of his traitor hands Ð the echoes bounced their bronze tones against the rock valley that rose them, over the sound of the wind and water.

A spray of granite puffed over the head of the man in black; a second to the left of his hood; a third to the right. He had missed cleanly all three times.

The man in black laughed Ð a full, hearty laugh that seemed to challenge the receding echo of gunshots. "Would you kill all your answers so easily, gunslinger?"

"Come down," the gunslinger said. "Do that I beg ya, and we'll have answers all around."

Again that huge, derisive laugh. "It's not your bullets I fear, Roland. It's your idea of answers that scares me."

"Come down."

"We'll speak on the other side, I think," the man in black said. "On the other side we will hold much council and long palaver."

His eyes flicked to Jake and he added:

"Just the two of us."

4. Roland Challenges Cort, Viking HC, p. 173-176

Roland walked to the cottage of his teacher and kicked the door open. It slammed backward, hit the plain rough plaster of the wall, and rebounded.

He had never been inside before. The entrance opened on an austere kitchen that was cool and brown. A table. Two straight chairs. Two cabinets. A faded linoleum floor, tracked in black paths from the cooler set in the floor to the counter where knives hung, and to the table.

Here was a public man's privacy. The faded refuge of a violent midnight carouser who had loved the boys of three generations roughly, and made some of them into gunslingers.

"Cort!"

He kicked the table, sending it across the room and into the counter. Knives from the wall rack fell in twinkling jackstraws.

There was a thick stirring in the other room, a half-sleep clearing of the throat. The boy did not enter, knowing it was a sham, knowing that Cort had awakened immediately in the cottage's other room and stood with one glittering eye beside the door, waiting to break the intruder's unwary neck.

"Cort, I want you, bondsman!"

Now he spoke the High Speech, and Cort swung the door open. He was dressed in underwear shorts, a squat man with bow legs, runneled with scars from top to toe, thick with twists of muscle. There was a round, bulging belly. The boy knew from experience that it was spring steel. The one good eye glared at him from the bashed and dented hairless head.

The boy saluted formally. "Teach me no more, bondsman. Today I teach you."

"You are early, puler," Cort said casually, but he also spoke the High Speech. "Two years early at the very best, I should judge. I will ask only once. Will you cry off?"

The boy only smiled his hideous, painful smile. For Cort, who had seen the smile on a score of bloodied, scarlet-skied fields of honor and dishonor, it was answer enough Ð perhaps the only answer he would have believed.

"It's too bad," the teacher said absently. "You have been a most promising pupil Ð the best in two dozen years, I should say. It will be sad to see you broken and set upon a blind path. But the world has moved on. Bad times are on horseback."

The boy still did not speak (and would have been incapable of any coherent explanation, had it been required), but for the first time the awful smile softened a little.

"Still, there is a line of blood," Cort said, "revolt and witchcraft to the west or no. I am your bondsman, boy. I recognize your command and bow to it now Ð if never again Ð with all my heart."

And Cort, who had cuffed him, kicked him, bled him, cursed him, made mock of him, and called him the very eye of syphilis, bent to one knee and bowed his head.

The boy touched the leathery, vulnerable flesh of his neck with wonder. "Rise, bondsman. In love."

Cort stood slowly, and there might have been pain behind the impassive mask of his reamed features. "This is waste. Cry off, you foolish boy. I break my own oath. Cry off and wait."

The boy said nothing.

"Very well; if you say so, let it be so." Cort's voice became dry and business-like. "One hour. And the weapon of your choice."

"You will bring your stick?"

"I always have."

"How many sticks have been taken from you, Cort?" Which was tantamount to asking: How many boys have entered the square yard beyond the Great Hall and returned as gunslinger apprentices?

"No stick will be taken from me today," Cort said slowly. "I regret it. There is only the once, boy. The penalty for overeagerness is the same as the penalty for unworthiness. Can you not wait?"

The boy recalled Marten standing over him. The smile. And the sound of the blow from behind the closed door. "No."

"Very well. What weapon do you choose?"

The boy said nothing.

Cort's smile showed a jagged ring of teeth. "Wise enough to begin. In an hour. You realize you will in all probability never see your father, your mother, or your ka-babbies again?"

"I know what exile means," Roland said softly.

"Go now, and meditate on your father's face. Much good will it do ya."

The boy went, without looking back.

5. The Gunslinger and the Man in Black Hold Palaver, Viking HC, p. 220-223

The universe (he said) is the Great All, and offers a a paradox too great for the finite mind to grasp. As the living brain cannot conceive of a nonliving brain Ð although it may think it can Ð the finite mind cannot grasp the infinite.

The prosaic fact of the universe's existence alone defeats both the pragmatist and the romantic. There was a time, yet a hundred generations before the world moved on, when mankind had achieved enough technical and scientific prowess to chip a few splinters from the great stone pillar of reality. Even so, the false light of science (knowledge, if you like) shone in only a few developed countries. One company (or cabal) led the way in this regard; North Central Positronics, it called itself. Yet, despite a tremendous increase in available facts, there were remarkably few insights.

"Gunslinger, our many-times-great grandfathers conquered the disease-which-rots, which they called cancer, almost conquered aging, walked on the moon Ð"

"I don't believe that," the gunslinger said flatly.

To this the man in black merely smiled and answered, "You needn't. Yet it was so. They made or discovered a hundred other marvelous baubles. But this wealth of information produced little or no insight. There were no great odes written to the wonders of artificial insemination Ð having babies from frozen mansperm Ð or to the cars that ran on power from the sun. Few if any seemed to have grasped the truest principle of reality: new knowledge leads always to yet more awesome mysteries. Great physiological knowledge of the brain makes the existence of the soul less possible yet more probable by the nature of the search. Do you see? Of course you don't. You've reached the limits of your ability to comprehend. But never mind Ð that's beside the point."

"What is the point, then?"

"The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.

"You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?

"Or one might take a tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distance between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.

"If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, like the chick must see the egg from the inside. And if you should peck through that shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?

"Perhaps you saw what place our universe plays in the scheme of things Ð as no more than an atom in a blade of grass. Could it be that everything we can perceive, from the microscopic virus to the distant Horsehead Nebula, is contained in one blade of grass that may have existed for only a single season in an alien time-flow? What if that blade should be cut off by a scythe? When it begins to die, would the rot seep into our own universe and our own lives, turning everything yellow and brown and desiccated? Perhaps it's already begun to happen. We say the world has moved on; maybe we really mean that it has begun to dry up.

"Think how small such a concept of things makes us, gunslinger! If a God watches over it all, does He actually mete out justice for a race of gnats among an infinitude of a race of gnats? Does His eye see the sparrow fall when the sparrow is less than a speck of hydrogen floating disconnected in the depth of space? And if He does see ... what must the nature of such a God be? Where does He live? How is it possible to live beyond infinity?

"Imagine the sand of the Mohaine Desert, which you crossed to find me, and imagine a trillion universes Ð encapsulated in each grain of that desert; and within each universe an infinity of others. We tower over these universes from our pitiful grass vantage point; with one swing of your boot you may knock a billion billion worlds flying off into darkness, in a chain never to be completed.

"Size, gunslinger . . . size . . .

"Yet suppose further. Suppose that all worlds, all universes, met in a single nexus, a single pylon, a Tower. And within it, a stairway, perhaps rising to the Godhead itself. Would you dare climb to the top, gunslinger? Could it be that somewhere above all of endless reality, there exists a Room? ... "You dare not."

And in the gunslinger's mind, those words echoed: You dare not.

 
 

   
   
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