INTRODUCTIONEighteen-year-old Kim Larsen has her whole future ahead of her. Just out of high school, she’s spending one last summer in Kingsville, Ohio, lounging around at the lake with her boyfriend J.P. and her friends Nina and Elise, working at a local minimart, partying at night, and preparing for college in the fall. But one night, Kim and her Chevette disappear without warning and without a trace. Her parents call the police who tell them that many missing teenagers are, in fact, runaways. Everyone in Kim’s circle agrees that she would never do that, not when she was about to leave for college and begin her adult life in earnest. They suspect the truth is far more sinister.
While the police begin their investigation, Kim’s parents set up massive search parties, arrange television interviews and organize public appearances pleading for information, rallying the town around their cause. After being questioned by the police, J.P., Nina, and Elise yield some insight into Kim’s darker, private life, but even these revelations offer no leads as to where Kim might be. As the days and then months pass, the chances of finding Kim alive grow dimmer. The Kingsville community must go on with the business of day-to-day living and soon Kim becomes just another face on a missing persons flyer.
Meanwhile, the Larsens privately grapple with the loss and uncertainty that has shaken their family. Kim’s mother, Fran, energetically dedicates herself to finding her daughter, spending every waking hour on the search and discovering a new sense of purpose in the work. Kim’s dad suffers from insomnia and helplessness, and feels himself growing apart from his constantly busy wife. Kim’s younger sister, Lindsay, always the smarter but more awkward sibling, experiences her grief as anger and feels even more alienated than before, no longer sure how to define herself now that Kim is gone.
In his twelfth novel, following the critically acclaimed bestseller Last Night at the Lobster, Stewart O’Nan demonstrates an uncanny ability to delve into the lives of ordinary, well-meaning people confronting tragedy. Here, in a story of a girl gone missing, he finds the quieter emotional narrative behind the sensational events. O’Nan’s clear, sharp prose and tremendous empathy yields flawed yet heroic characters whose every word and gesture rings true. Defying genre, Songs for the Missing is a remarkable novel that begins as a thriller and widens into an elegiac examination of family, love, and longing.
ABOUT STEWART O’NAN
Stewart O’Nan is the author of eleven novels. His most recent, Last Night at the Lobster, was lauded as one of the top ten fiction books of 2007 by Entertainment Weekly. He has also written an award-winning story collection, In the Walled City, and two works of nonfiction, including Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season, a collaboration with Stephen King. He lives with his family in Connecticut.
- Early on in the police investigation there’s a question of whether Kim ran away or was abducted. How does this issue get resolved and do you believe it’s the right conclusion?
- Kim’s family disapproves of her involvement with J.P. What do you make of his character? Is he a bad influence or a normal teenager?
- Kim’s friends hide the truth about Kim’s private life from her parents. What impact does this have on the search to find her? Are they right to protect her privacy or are they selfish for trying to protect themselves?
- What are Lindsay’s feelings about her sister’s disappearance and how does the experience ultimately change her?
- How do Kim’s parents cope individually and collectively with her absence? Where do they differ and how?
- What significance does the butterfly pendant have for Kim’s mom?
- Kingsville is a distinctively Midwestern small town. Could this story have taken place in another setting? How might it be different?
- Kim is only physically present in one scene in the book but much of the description of her character comes through her friends’ and family’s point of view. Do you feel that you “know” her? Do you feel that her friends and family know her? What don’t they know or understand about her?
- The Larsens are dissatisfied with the police’s efforts. How would you rate the police performance in the search for Kim? Have they done enough or could they have done more?
- In the beginning of the book, O’Nan places us in Kim’s point of view as she ponders “the sins of the Midwest.” She says, “flatness, emptiness, a necessary acceptance of the familiar. Where is the romance in being buried alive? In growing old?” How do these sentiments resonate throughout the story? Why did the author choose to include them?
- At the end of the book the reader still knows very little about what really happened to Kim. Does this matter to you? Do you find the ending satisfying?