QUESTIONS AND TOPICS FOR DISCUSSION
The Color of Water
James McBride grew up one of twelve siblings in the all-black housing projects of Red Hook, Brooklyn, the son of a black minister and a woman who would not admit she was white. The object of McBride’s constant embarrassment, and his continuous fear for her safety, his mother was an inspiring figure, who through sheer force of will saw her dozen children through college, and many through graduate school. McBride was an adult before he discovered the truth about his mother: the daughter of a failed itinerant Orthodox rabbi in rural Virginia, she had run away to Harlem, married a black man, and founded an all-black Baptist church in her living room in Red Hook. In this remarkable memoir, she tells in her own words the story of her past. Around her narrative, James McBride has written a powerful portrait of growing up, a meditation on race and identity, and a poignant, beautifully crafted hymn from a son to his mother.
ABOUT JAMES MCBRIDE
James McBride, a writer and musician, is a former staff writer for The Boston Globe, People magazine, andThe Washington Post. A professional saxophonist and composer, he has received the Richard Rodgers Development Award from the American Academy of Arts and Letters and the American Music Theater Festival’s Stephen Sondheim Award for his work in musical theater composition. He lives in South Nyack, New York.
Overwhelming acclaim for James McBride’s unforgettable memoir:
“Vibrant.”—The Boston Globe
“Incredibly moving.”—Jonathan Kozol
“James McBride evokes his childhood trek across the great racial divide with the kind of power and grace that touches and uplifts all hearts.”—Bebe Moore Campbell
“Complex and moving… suffused with issues of race, religion and identity. Yet those issues, so much a part of their lives and stories, are not central. The triumph of the book—and of their lives—is that race and religion are transcended in these interwoven histories by family love, the sheer force of a mother’s will and her unshakable insistence that only two things really mattered: school and church… The two stories, son’s and mother’s, beautifully juxtaposed, strike a graceful note at a time of racial polarization.—The New York Times Book Review