Dutton
Ella Kurki joined Dutton in February 2023, after starting her career at Penguin Michael Joseph in London. She loves voice and character-driven fiction with unique storytelling and unpredictable characters. On the nonfiction side, she’s interested in deeply researched stories that entertain, educate, and engage with contemporary issues. Ella has editorially contributed to Cherry Lou Sy’s…
Read MoreEmi Ikkanda is an Executive Editor acquiring nonfiction and select fiction projects at Tiny Reparations Books, Dutton, and Plume at Penguin Random House. She previously worked at Seal Press at Hachette, Spiegel & Grau at Random House, and Henry Holt at Macmillan. She publishes a diverse list of award-winning, bestselling, and culturally relevant books. Over the years she…
Read MoreCharlotte Peters joined Dutton in 2022. She is interested in commercial and genre fiction in unique, atmospheric settings that involve gothic, fantastical elements or dark institutions, escapist rom-coms simmering in magic (literal and figurative), character-driven “traditional” fantasy, and transportive romantasy, from epic to cozy. In nonfiction, she seeks relatable pop culture-focused works that appeal to…
Read MoreLisset Lanza joined Dutton in April 2022 as an editorial assistant. She previously reported on local news and politics and her published magazine work is focused on health and lifestyle content. Lisset hopes to acquire voice-driven literary and commercial fiction with a focus on cultural critique and family dynamics. She’s interested in themes of mysticism,…
Read MoreDavid Howe joined Dutton as an Associate Editor in 2024 and acquires a wide range of nonfiction. On the prescriptive side, he looks for books that lead to healthier lives or demystify transformative concepts for a broader audience, written by authors who combine rigorous research with commercial appeal. In narrative nonfiction, he’s most interested in…
Read MoreRachael Kelly is an Editor at Dutton acquiring commercial and upmarket/book club fiction across genres—stories that combine rapid pacing, nuanced character development, complex themes, and compelling hooks. She is building a list that prioritizes both voice and plot, and gravitates toward fiction that is romantic, escapist, suspenseful, mysterious, or psychological in nature, especially from authors…
Read MoreGrace Layer joined Dutton in January 2021, after working as an agent assistant at Empire Literary and as a freelance editor. On the nonfiction side, Grace is looking for smart narrative nonfiction by journalists or experts in their field, particularly in the areas of education, intersectional feminism, and true crime. On the fiction side, she’s…
Read MoreNick Amphlett joined Dutton as a Senior Editor in September 2024. He acquires nonfiction, with particular interest in history, politics and current events, popular science, narrative nonfiction, biography, and sports. Prior to Dutton, he spent ten years at William Morrow, where he edited a range of leading journalists, academics, and thought leaders, including recipients of…
Read MoreCassidy Sachs joined Dutton in 2017 and has a list that’s all about empowerment. She is especially keen to acquire narrative disrupting nonfiction and books that flip the script in some way across the genres of journalism and history, as well as expert-led investigations written by trailblazing scholars. She is seeking book club fiction that…
Read MorePilar Garcia-Brown joined Dutton as a Senior Editor in September 2021. Previously, she worked at Mariner Books/Houghton Mifflin Harcourt. She concentrates on fiction in multiple categories, as well as the occasional narrative nonfiction. She’s interested in voice and character-driven fiction that upends expectation or plays with genre, and is especially drawn to novels that tackle urgent, contemporary…
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